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MICHAEL MARCZEWSKI AT HOME
Photographs by Michael Marczewski.
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MICHAEL MARCZEWSKI
dwellerforward is pleased to present Michael Marczewski at Home, who will be exhibiting an The Overlook, the result of his time working with the space.
Reacting to the unusual gallery layout, Marczewski has modified the space to reflect and bounce a film edit down it, with the intention of surrounding and immersing the viewer. The edit highlights the use of one location within the film, drawing parallels to the architecture, and intensifying themes of duality, reality and claustrophobia.
Home is functional not as a gallery space, but as the hallway of a flat, which has been put into context by dwellerforward as a space in which work can be shown. Artists are invited to produce work for display in one off, one night exhibitions. This is the final show in the current location of Home. After the viewing please join us for a drink at The Pembury Tavern, which is a short walk from the space. Please feel free to extend this invitation to guests.
We look forward to you joining us on this occasion.
MICHAEL MARCZEWSKI AT HOME.
Sunday 11th March 2012, 18.00 - 20.00.
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Part 4 of The Printernet all up in your browser, forever & ever. Amen.
It’s the Christmas episode. You know what happens.
Original screening; 18.30, Sunday 25th December 2011.
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Part 3 of The Printernet all up in your browser, forever & ever. Amen.
You are probably thinking “what was it that pre-Christian Britain was like, eh?” The Pre-internet have pre-empted your previous pre-Christian enquiry. Give it a watch.
Original screening; 19.00, Sunday 18th December 2011.
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Part 2 of The Printernet all up in your browser, forever & ever. Amen.
Look out of the window. It’s the future. And there’s nothing you can do about it.
Original screening; 18.30, Sunday 11th December 2011.
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Part 1 of The Printernet all up in your browser, forever & ever. Amen.
The Printernet have a go at re-making a music video. But who are hiding in the kitchen cupboards? SPOILER! It’s The Printernet again!!
Original screening; 18.30, Sunday 4th December 2011.
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dwellerforward present The Printernet all up in your browser, forever & ever. Amen.
The Printernet - the band that have given you such hits as Are You Ready For Love? and Thaw’s Anthem - are back with a four part series of web-streamed videos, specially created to launch the dwellerforward Tumblr, with a live introduction to each from the duo. They meet native Britons·they are thrown into the future·music videos become in-depth critiques of contemporary cultural theory·and something else happens as well. Using sound, domestic visuals and other stuff, The Printernet make it seem like Punk never happened, and if it did, it happened somewhere else to some other people who are old and don’t even get it.
The videos will be screened at 18.30 over consecutive Sundays, beginning this Sunday, 4th December. Please join us in this collective viewing from the comfort of your computer’s internet browser.
In celebration of this event, after the first screening we will be meeting for a drink from 20.00 at The Pembury Tavern on Amhurst Road, just outside Hackney Downs Station. Please join us if you are able, and feel free to extend this invitation to guests. At this time, we will also be having a tournament of the newly released London Gallery Trumps, the card game based on the popular Top Trumps game, created by the last residents at Home, Turnhurst. Check out the rules of the game here: www.gallerytrumps.com
Photographs by The Printernet.
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TURNHURST AT HOME.
RAYDIX are pleased to present Turnhurst at Home, who will be exhibiting an Unrealised proposal for a work someone else might have made.
Turnhurst use the structures in the artworld itself as reference material for making work; with a half-smile they draw upon the set-up of exhibition making in a matter of fact, down to earth manner. In this display, the relationship to the domestic space is discussed. Rather than appearing in the now standard ‘white cube’, Home’s slightly worn narrow magnolia hallway provides perhaps a rehearsal setting, addressed in the uncertainty of the title. The work, a shelf stretching the length of the space, is viewed out of context to be in either guise - it’s position slightly above eye level renders it impractical for function, and frustrating in viewing as an ‘art object’. Through this, the shelf itself becomes the talking point, rather than anything it might be supporting. Turnhust draw parallels to the environment and situation in which they and their work have been placed, and with the hint of illumination just out of sight, play quite literally in the noticeable reflection of the ‘gallery space’ and the ‘domestic space’.
TURNHURST AT HOME.
Sunday 24th July 2011, 18.00 - 20.00.
Photographs by Turnhurst.
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NICK SMITH AT HOME.
RAYDIX are pleased to present Nick Smith at Home, exhibiting Your Future Our Clutter.
In its out-of-exhibition guise, Home is a domestic hallway, a space that provides no real function other than passage. Smith addresses the fleeting time spent in this space, and how this might differ when in the context of an exhibition. Considering artworks to be subject to their moment, affected by and resulting from current affairs and their history, he examines how artworks sit in a space that is not fully defined, that is prone to transition. The works produced for the exhibition investigate the movement between different states of being; use and the useless, visible and invisible, and come to focus on the shift that occurs when a political matter becomes a domestic matter.
NICK SMITH AT HOME.
Sunday 12th June 2011, 18.00 - 20.00.
Photographs by Nick Smith.
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NINA WAKEFORD AT HOME.
RAYDIX are pleased to present Nina Wakeford at Home, exhibiting The Tail That Wags The Dog.
The reference to the ‘tail’ in the show’s title is not only used to invoke the idiom which describes how a small part may control a larger whole. The tail also refers to the aftermath of the British Art Show 7 - subtitled In The Days Of The Comet - which has recently closed at the Hayward Gallery. In The Tail That Wags The Dog, the artist draws a connection between the smaller gallery or project space setup and the larger institutionalised artworld. By making a response to one of the works that was produced for the BAS7, which became probably the most iconic (and certainly most widely circulated) image used in it’s publicity, Wakeford highlights the relationships of the people involved, suggesting the intrigue that these connections hold, and uses the discovery of an intimate relationship of an acquaintance as the starting point for the work.
NINA WAKEFORD AT HOME.
Sunday 8th May 2011, 18.00 - 20.00.
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